Date: Sun, 11 Mar 2007 12:08:32 -0500
In what ways do critical fictions a.k.a the cultural imaginary, function as rhetorical sources for the creative imagination in both studio practice and laboratory immersion?
Citations: Thomas Gruenfeld, "Misfit Series (Pig/Bird) 2001 (top image) made from recycled taxidermied animal parts Zony, cross between a horse and a zebra
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